Keyboard for Six-Thousand-Dollar Drums

Hello?

Hello?

I'm oh I'm looking for somebody named

Who the f who's this?

This bass right here, man.

Don't y'all use the studio from midnight to four in the morning.

Yeah, we over there every night.

What's happening?

What is this?

This bass, man.

We use a studio after y'all do.

Somebody in your group then took our damn keyboard, man.

Oh, hold.

Hold it, man.

Hold on, man.

Base.

Okay.

So what what the f you call me for?

Oh, I'm calling you because we missing our keyboard.

Somebody in y'all group is the one that didn't tuck it.

We ain't took no board, Holmes.

We only over there at 12 o'clock, man.

Twelve to four.

Therefore, somebody one of y'all you are your boys, one of y'all that took our damn keyboard, man.

We get we bring all to the joint, man.

We bring our to the studio.

So why the f you calling us?

Why you calling me?

Well, wait a minute.

How do you get my f how do you get my number?

Hey, the dude that owned the doggone place told me that I need to call y'all, cause one of y'all is the ones that evidently done took you to my done.

What wait a minute, hold on, Hall.

What studio you go to, man?

I go to the same studio y'all go to.

Don't y'all use room number 15?

That's the one we've been using.

Yeah, we're in 15, we just we 15.

So so what's what's the business?

What the f what'd you call me for?

I'm calling you because we missing our keyboard, man.

Okay.

Okay.

One of y'all got it.

So so somebody's gonna un I tell you what, hold up.

Didn't y'all leave y'all drums in there today?

Yeah, yeah, we got yeah, that's my yama out here.

What what what you talking about?

We got the strong snap.

Oh, you got my kids?

Oh you got my took my

hold hold on, man.

You took my kick, man.

I got these drums.

Ain't nobody getting these drums.

That is six thousand dollars drums that what the you doing why?

Yo far.

Hey man, you ain't getting these drums back till I get that keyboard.

I ain't got your keyboard dig this here, homes.

You get my back that I got to do.

Hey man, let me tell you something.

We all we up in there cutting the album, man.

We need our damn keyboard back.

We cutting a f record.

We cutting a record, all right?

Bring me my hey man, look.

Y'all got our keyboard, so we took them damn drums that's in the room.

Therefore, we done took y'all drums.

And we get y'all ain't

looking.

No, no, no, no, no.

I need your punk, man.

Look, ain't got time for your okay?

Bring my back here.

Hey man, y'all ain't getting no drums back, man.

Uh-uh.

I will break these look here.

Get my back over there, homes.

I'm gonna f you up for real.

You ain't gonna do nothing to me.

You finna bring me my keyboard.

That's what you finna do.

No you play.

Hey man, look, man, I want my keyboard.

I will be over there today.

When are you gonna bring me my keyboard?

Shut the f shine and print it.

Like I left it last night.

Okay?

Hey man, I'm telling you right now, y'all ain't getting nothing, man, until I get my bruh.

I want my keyboard back, man.

I don't give a f about your keyboard.

I'll respect that sticking up your f and your grandma too.

Hey man, let me tell you

my mama in the back.

You better break that damn keyboard.

That's what you better do.

I got the thing for your black.

You ain't got worried about cutting no song.

I damn man gonna cut some song.

Get my over there.

Today I ain't moving nothing.

And y'all ain't getting nothing back.

You today.

One hour.

Y'all ain't getting nothing back.

Hey man, y'all ain't getting No, uh y'all ain't getting these drums back until we get this keyboard.

That's just all it is.

Oh, hold on, I'm all right, hold on.

I got the keyboard.

You got my keyboard.

No, I I know I got I got the keyboard.

I got a I got your keyboard.

Okay.

Meet me at the studio.

I'm gonna fake your show.

Your pump get you a cool grammy, you and Biggie.

So come on.

Come on.

We go to the studio.

Where you live, where you live?

Hey, hey, I'll meet I'll meet you at the studio right now.

Where you live, don't worry about where I meet.

If you go into the studio, why don't you?

I can be there.

I quick can you get to the studio?

Look here, that's cool.

If you don't gonna pass you, bring your cast to I don't pass your house anyway.

So come on.

Where we go you gonna study up?

Meet your pump up there right now, b you and Biggie and Pop and Mom Gag, and we sing a la bye together tonight.

All right.

You meet me up there, 15 minutes.

We can go right now there.

We have my s you can have your bank and keyboard.

You broke keys.

Do you have my keyboard, man?

I got your keyboard getting ideas of what the f I say.

So meet me at the studio.

Okay, so when is you gonna you gonna bring in now?

You grown me in this girl, man game.

Bring your little young up to the studio.

I'm c I'll come right now now.

I ain't I ain't bring your damn waiting on your f I'm not scared now.

I'm gonna

man should never be scared.

You gonna see the Lord tonight.

I ain't gonna I'm not going to see the Lord.

You want to see the Lord tonight?

Cause see you're brave.

So brave men need to go see the Lord.

You say your friends, you kiss your mama.

Hey man, uh I have w why don't I just meet you tomorrow?

Come on, I'll put you back up for me today.

I I'll meet you tomorrow, man.

I'll give you your drama.

Come on.

Come on.

Oh, we wait till tomorrow.

What wait, wait, wait a minute, man.

Just calm down, man.

Just calm down.

I'm not calming down.

You got my song calm down.

What you back up for?

No, you can see the.

You ain't said your plans.

That's a damn change.

Hey, hey, hey man, I I I got one more thing I wanna say.

What?

Uh

you listen, I got one more thing I want to say to you.

You ain't you can't tell me what the f you wanna tell me?

What?

This is nephew Tommy from the Steve Harvey morning show.

You just got blank by your old boy share, ain't this a